Strymon Timeline Multidimensional Delay
Studio class delay in a portable, pedal sized unit? You'll find it from the Timeline Multidimensional Delay from Strymon at Sound Centre!
When Strymon decided to create a studio-class stereo delay effects pedal, they knew they had to go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power.
Their engineers spent months locked up in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds.
- Hand crafted, studio-class delay algorithms deliver meticulous, detailed and nuanced delay experiences
- Twelve delay machines to choose from: Digital, Dual, Pattern, Reverse, Ice, Duck, Swell, Trem, Filter, Lo-fi, dTape, dBucket.
- Seven front-panel tone shaping knobs: Time, Repeats, Mix, Filter, Grit, Mod Speed, Mod Depth
- Additional menu-driven parameters deliver extremely flexible tone shaping options and complete tweakability
- 200 easily accessible and nameable presets, save and recall at the press of a switch
- Three rugged metal footswitches for preset selection, effect bypass, looper control, and Tap Tempo
- LED display for preset info, BPM/time readout, and extended parameter control
- Multi-color preset LEDs (green for active preset, amber for edited preset)
- Full MIDI implementation allows extended control for those with more complex rigs
- 30-second stereo Looper, routable pre- or post-delay, with MIDI capability.
- Sturdy and lightweight gunmetal gray anodized aluminum chassis, with laser-etched artwork
- Durable black anodized aluminum knobs
- Studio-grade audio input and output jacks
- Stereo input and output
- Expression pedal input with selectable control over knob or combination of knobs, saveable per preset (also configurable as external tap input)
- MIDI input and output
- Switchable I/O configuration: Stereo Out or Mono with Delay Feedback Loop Insert
- Included 9V center-negative power supply (300mA minimum required)
- Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters
- 115dB typical signal to noise
- Analog dry path for a zero latency dry signal that is never converted to digital
- Premium analog front end and output section
- Super high performance DSP in a compact form factor
- 32-bit floating point processing
- True Bypass (electromechanical relay switching)
- Selectable Trails mode with high quality, transparent Analog Buffered Bypass, saveable per preset
- +/- 3dB Boost/Cut, saveable per preset
- Selectable Tap Subdivision, saveable per preset
- Optional Kill Dry mode mutes dry signal, for use in parallel effects loops
- Optional Global Tap Tempo mode
- Dimensions: 6.75″ (171mm) wide, 5.1″ (130mm) deep
- Designed and Built in the USA
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Studio class delay in a portable, pedal sized unit? You'll find it from the Timeline Multidimensional Delay from Strymon at Sound Centre!
When Strymon decided to create a studio-class stereo delay effects pedal, they knew they had to go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power.
Their engineers spent months locked up in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds.
- Hand crafted, studio-class delay algorithms deliver meticulous, detailed and nuanced delay experiences
- Twelve delay machines to choose from: Digital, Dual, Pattern, Reverse, Ice, Duck, Swell, Trem, Filter, Lo-fi, dTape, dBucket.
- Seven front-panel tone shaping knobs: Time, Repeats, Mix, Filter, Grit, Mod Speed, Mod Depth
- Additional menu-driven parameters deliver extremely flexible tone shaping options and complete tweakability
- 200 easily accessible and nameable presets, save and recall at the press of a switch
- Three rugged metal footswitches for preset selection, effect bypass, looper control, and Tap Tempo
- LED display for preset info, BPM/time readout, and extended parameter control
- Multi-color preset LEDs (green for active preset, amber for edited preset)
- Full MIDI implementation allows extended control for those with more complex rigs
- 30-second stereo Looper, routable pre- or post-delay, with MIDI capability.
- Sturdy and lightweight gunmetal gray anodized aluminum chassis, with laser-etched artwork
- Durable black anodized aluminum knobs
- Studio-grade audio input and output jacks
- Stereo input and output
- Expression pedal input with selectable control over knob or combination of knobs, saveable per preset (also configurable as external tap input)
- MIDI input and output
- Switchable I/O configuration: Stereo Out or Mono with Delay Feedback Loop Insert
- Included 9V center-negative power supply (300mA minimum required)
- Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters
- 115dB typical signal to noise
- Analog dry path for a zero latency dry signal that is never converted to digital
- Premium analog front end and output section
- Super high performance DSP in a compact form factor
- 32-bit floating point processing
- True Bypass (electromechanical relay switching)
- Selectable Trails mode with high quality, transparent Analog Buffered Bypass, saveable per preset
- +/- 3dB Boost/Cut, saveable per preset
- Selectable Tap Subdivision, saveable per preset
- Optional Kill Dry mode mutes dry signal, for use in parallel effects loops
- Optional Global Tap Tempo mode
- Dimensions: 6.75″ (171mm) wide, 5.1″ (130mm) deep
- Designed and Built in the USA
About the Sound Centre
Sound Centre was established in 1986 by a group of Western Australian musicians who wanted to provide a music store that would understand and cater to the needs of other musicians. From humble beginnings as a small shop and a few rehearsal rooms, Sound Centre has grown into Perth’s most extensive music store in terms of space, instrument range and musical expertise.
