The Phase 90 takes you from subtle, spatial shimmer to all-out high velocity swooshing with the twist of a knob.
The Dyna Comp Compressor can tighten up your signal, add rich sustain, or create the percussive and clicky sound heard on numerous hit records.
The Sub Machine Fuzz combines shaggy fuzz with a growling sub octave circuit-switchable between series and parallel modes-with an octave up fuzz mode for searing subterannean sounds.
Combines the boots effect from the MXC402 but also uses the line driver to solve problems of mismatched line level and signal conditioning problems that can occur when combining effectsCan also be used as an ultra clean boost for solos or to drive effects for more dynamics and sensitivityPowered by 9 volt battery or AC adaptor (RPC921R)
All-analog bucket-brigade circuitry Create classically lush, liquid textures Rate, Level, Depth controls
The Custom Comp features the legendary CA3080 "metal can" IC for dynamic range, greater transparency, and quieter operation, with an internal Attack control for fine-tuning response time.
The Studio Compressor provides recording-quality compression with Constant Headroom Technology™ and true bypass switching for clear, clean performance.
The MXR Six Band EQ covers all the essential guitar frequencies and has been upgraded with noise-reduction circuitry, true bypass switching, brighter LEDs for increased visibility, and a lightweight aluminum housing.
The Super Badass Variac Fuzz is aggressive, biting, and highly versatile, featuring a Variac control to change the pedal's voltage from 5V to 15V for a range of fuzz tones. Go from vintage saggy saturation to wide open transparency with the twist of a knob.
The Carbon Copy Bright Delay has the same features as the standard version-a modulation section and 600ms of delay time-but it's been tuned for a brighter and more articulate tonal palette.
Runs two independent or series effects loops and allows the removal of signal degrading pedals from the signal path Output mute switch for each channel which can also be used for silent tuning 3.5mm courtesy 9 VDC output jack Heavy duty diecast housing with high quality jacks and switches True hardwire switching Powered by 9 volt battery or AC...
The FET Driver captures the rich, creamy sound of an overdriven tube amplifier with Hi and Lo boost/cut controls for tonal fine-tuning.
The Il Torino Overdrive recreates the dynamic, touch responsive overdrive of classic tube preamps with a 3-band EQ and OD/Boost modes for sonic versatility.
The EVH 5150 Overdrive features multi-stage MOSFETs, a 3-band EQ, a Boost switch, and a noise gate for a versatile range of OD and distortion tones.
Crank Your Stomp Pedals to the Extremes Without the Fear of Any Hiss or Excess NoiseSenses Your Guitar's Dry SignalReduces the Noise Level Within the Effect LoopComes Down Hard on Even the Noisiest SignalsSingle Trigger Knob Allows You to Set the Volume ThresholdGreen LED Shows Whether the Gate Is On/offThis Bad Boy Is Capable of Reducing Noise Up to...
Adds a preset amount of gain which is a great way to boost your signal for lead work or adjust between two different guitars with unmatched outputIt can also provide a permanent boost in a long effects chain where signal dropoff is a problemPowered by 9 volt battery or AC adaptor
The Blue Box Octave Fuzz drops your guitar signal two octaves down and combines it with gnarly fuzz for huge subterranean tones.
The Carbon Copy Analog Delay delivers rich, warm bucket-bridgade delay with up to 600ms of delay time and modulation.
The La Machine Fuzz serves up thick, shaggy retro fuzz with a simple three-knob interface and an Octave switch for an octave up tone that's raw and searing.
Delivers Six Distinct High End Reverb StylesSimple Three-Knob Setup and a Hi-Fi Analog Dry PathConstant Headroom Tech Delivers a Massive 20 Volts of HeadrooPLATE-SPRING-EPIC-MOD-ROOM-PAD OptionsToggle and Blend Between Two Different Knob Setting Configurations With a Volume/expression Pedal100% Wet ModeStereo Input and Output CapabilityTrue Relay or...